August 29, 2014
by Jaya
3 Comments

To dethrone a good king, you need to change the game

The more things change, the more they remain the same.

I had written about it on my blog a long time ago. The news of Google and Barnes & Noble tie-up to take on Amazon is making me write it again. This move is a non-starter. Google has the cash to keep such non-starters running for a long time. But it won’t do anything for Barnes and Noble. And it will pose no credible threat to Amazon.

To understand why let’s start by talking of Google’s core business – Search. Most website owners are unhappy with Google. Why? Because Google keeps changing algorithms and “punishes” websites in search results. They don’t make the “rules of the game” known. They are “undemocratic” and “opaque”.

Too bad! Let’s come up with a search engine that will be nice to webmasters. Brilliant idea, right? Except, it won’t work. Consumers will continue searching on Google because Google works for them. Webmasters’ troubles do not concern them.

Similarly, the frustration of “industry” folks – the publishers, the booksellers, the distributors, and others looking to subdue Amazon – won’t translate into an opportunity to build an Amazon competitor. The customer mostly does not care about these frustrations.  By customer, I don’t mean the loud voices on industry blogs, but the real customer who reflects in those sales numbers which Amazon has aplenty. Amazon is a business entity shrewd enough to know when a customer cares and will cater to his needs. They are not idiots or egomaniacs; they will do whatever it takes to advance their business interests.

Cover of

Amazon Kindle

If all websites owners in the world decide to boycott Google and put robots.txt to block Google’s indexing, an opportunity for a new search engine will arise. If all the producers and sellers decide to boycott Amazon, an opportunity for new e-commerce businesses will arise. But, the latter is as unlikely to happen as the former; I am sure no one needs convincing there.

So what, if there is no new opportunity? Can’t Google, being the giant it is, beat Amazon by out-executing it?

The chances are slim. If past examples of tech and online industry are anything to go by, you don’t dethrone a good king by playing his own game (good is the operative word here and hey – Amazon is good for customers). The dethronement happens when you change the game.

Microsoft did not defeat IBM by making a better mainframe. It played the new game of Personal Computers! Google did not defeat Yahoo! by making a better portal. It defeated Yahoo! by changing the game from portal to search. People started using search as their starting point on the Internet journey, rather than using the portals. Many Google-killer search engines came but the threat to Google search did not come from them. It came from Facebook and social media.

That’s why what Google and Barnes & Noble are doing is a non-starter. I am not undermining Google’s strengths but strength alone does not dethrone a good king. With all its strengths, Google hasn’t made much headway in the space of social network, has it? Tying up with Barnes & Noble to deliver books is not going to do much for it in e-commerce or bookselling either.

Don’t get me wrong. I am not claiming this because I think Amazon is invincible. Nor do I think that it should remain unconquered. I don’t like the power Amazon has over the publishing industry right now. It is as bad as the power publishers had! Probably worse, because e-commerce and online businesses are often in a winner-take-it-all situation. There were at least six big publishers. There is only one big Amazon. And that’s not a good situation.

What is one to do then? If someone does want to break Amazon’s monopoly, how does one do it? As a reader of books like “Fooled by Randomness” and “Wrong”, I am not one to make definite and bold predictions. The change comes from quarters not usually predicted by experts (or novices). Still, my bet is on e-books, not physical books.

Despite having the Google Books digitization infrastructure, Google has allowed Amazon to dominate the e-books market. But there is an opportunity for it to catch up. Not because of the publishers’ frustrations, but because of the customer dissatisfaction of the closed ecosystem, proprietary format, and DRM. This dissatisfaction with Amazon creates a possibility that can be kindled (sorry for the pun) further and taken advantage of by Google.

The funny thing? Google will have to fight the publishers to provide books without DRM. Even though these are the same people in whose interest breaking Amazon’s monopoly should be!

Still for Google, it’s worth investing in. Given the reach of Android and Google Play, Google could still potentially disrupt the e-books market. Provided it ensures that buying books on Google Play is easier and simpler than publishing it on Google Play Books.

August 27, 2014
by InstaScribe
0 comments

Quotes Wednesday

Even the nostalgia isn't what it was.

By InstaSribe

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August 26, 2014
by punjacked
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Readers Can’t Digest – Week 2 (18-Aug to 24-Aug)

1. Amazon will be selling physical books for the first time in the Amazon. Amazon opened a Kindle store in Brazil in December 2012.
(http://www.thebookseller.com/news/amazon-starts-physical-book-sales-brazil.html)

Brazil Celebration

 

2. Shakespeare & Co. is in the danger of shutting down. Founded in 1981, Shakespeare & Co’s last standing book store in New York may close soon due to lease issues.
(http://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/63728-is-shakespeare-co-in-danger-of-extinction.html)

Crying

 

3. According to a recent study, Kindle readers or e-book readers in general are worse at recalling the plot of the book they have read. This has something to do with turning the pages while reading on paper.
(http://www.thebookseller.com/news/e-reading-has-adverse-effect-plot-recall-says-study.html)

Dancing books

 

4. Amazon has signed a deal with Shanghai Free Trade Zone to increase its presence in China. Now, Amazon can sell wider range of goods and the Chinese customers will have access to its global supply chain.
(http://www.thebookseller.com/news/amazon-its-china-presence.html)

China Dance

 

5. Disney has cast several Hollywood stars for the next Jungle Book movie. Christian Bale and Cate Blanchett have joined the list too.
(http://www.theguardian.com/film/2014/aug/21/christian-bale-cate-blanchett-jungle-book-origins-andy-serkis-benedict-cumberbatch)

Mowgli

 

August 25, 2014
by Jaya
0 comments

Publishers: From Editors and Designers to Curators and Marketers?

Once publishing was inherently tied to printing. Those who owned presses published books. “Printers & Publishers” went in the name of many companies. Later on, technology advanced, printing became more accessible, and one printer became easily substitutable with another. Publishing became less about printing and more about selection, editing, design and distribution.

Things are changing again.  Just like access to printing, specifically offset printing, did not remain much of a differentiator, access to good editors, designers or distribution channels has not remained particularly exclusive. Some level of editing and designing can be done even by lay people with the help of tools.

MS Word, for example, can check your spellings and even warn you about the use of passive voice. I can hear the cries of “that’s not all that editing is about”, but the point is you don’t need a skilled editor to tell you this any more.

Capsule full of social media icons

Capsule full of social media icons

Besides, editors and designers often freelance. So with Internet and communication technologies, it is easy for individuals to reach out to them. Print on demand and e-books along with online retailing have made production and distribution very accessible as well. So, a publisher’s access to these no longer distinguishes him.

What is the future of publishing then? Will the publishing industry die while readers and writers connect directly, as many change-enthusiasts proclaim? Will the publishing industry become an uncontrolled jungle in which writers and readers will be lost because anything and everything will be published? A place where nobody can tell the good from the bad and the ugly, as the doomsayers fear?

If the history of such proclamations is anything to go by, the extremely optimistic and extremely pessimistic viewpoints are unlikely to come true. Here are two basics of publishing that are needed and that will survive:

  1. Readers need to choose what to read
  2. Authors need to reach out to the readers

Readers need curation. Authors need marketing.

In one form or the other, someone has to meet these needs. People who did this before were the publishers of past. People who will do this in the future will be the publishers of the future. There is no way to predict who those would be. If the existing organizations adapt and find ways to meet these needs, they will survive. Otherwise, they will be replaced by new, innovative, entrepreneurial ones.

Earlier, curation reflected in whether or not something was published at all since resources needed to publish were exclusive. In the future curation will most likely happen after publication. Because, let’s accept it – the actual act of publishing has become trivial with print-on-demand and e-books. There is no longer any scarcity of supply, so curation will be the way of streamlining excess. Curation will not reflect in unpublished manuscript piles, but in unnoticed online listings of published ones.

Earlier, marketing reflected in the number of bookstores that were flooded with the book. In the future, marketing will reflect in the number of readers who have heard positive things about the book. Because, let’s accept it- distribution has become trivial with online retailing. Marketing will not reflect in large piles of books in stores, but how many readers searched for it on online retail sites.

From editors and designers, Publishers will become curators and marketers.

Publishing is dead. Long live publishing.

 

August 22, 2014
by InstaScribe
0 comments

Four Things Publishers Could Learn From Successful Self Publishers

Once upon a time self publishers were looked at with condescending eyes. Now they’re raking up sales and occupying so much space in social media that traditional publishers need to take stock of where their business is headed and where writing needs to go.

Everyone knows what’s wrong with self publishers, but what about what’s right? No harm learning from the enemy.

1. Time is Money

If you write a book for a traditional publisher chances are that it will take two years for the book to materialize into reality. A lot of things could happen in two years. Besides the regular changes in your life like getting married, having a baby or getting a new job, the market trends may change as well. Two years down the line a book of non-fiction, say a book on current affairs, will fail to gain traction.  That’s when you need the book to be published on time. A delay of two years makes a book like that irrelevant.

With Indies, you cut down the number of middlemen and one minute you upload your book, the next it’s published. You’re in control of the situation and you get a relevant time-sensitive message out there. 

2. Market Directly

For long now the publishers have depended on distribution for familiarizing the readers with their books. Come to think of it, a bookstore evokes the feelings of love, respect, awe and admiration. Bookstores are considered a cornerstone of our culture.

But what about the publisher?

You may remember the name of the author and the bookstore you bought her book from. How many times do you remember the name of the publisher or imprint? Rarely.

Whatever branding the publishers have done, through imprints say, has also been directed more towards distributors and bookseller than readers.

It’s time to take a cue from Indies who are successfully disrupting the system by taking advantage of social media to make direct connection with their readers.

Whether it is through their blogs and websites, or newsletters, or speaking appearances, self-published authors depend on distribution to do just what it is meant to do – to distribute.

Marketing is their own job, as it should be, for publishers too.

You may say that traditional publishers have their act together. They work hard for their authors- prepare promos and work on the advertising part. They do but what they really need to be looking at is a direct connect with the individual customer.

Every potential reader is important.

So what should publishers keep an eye out for when it comes to marketing their authors?

They need to maintain an author page for their authors on their website. Amazon author page, fb page, twitter, Youtube, Goodreads are top drivers when it comes to getting more customer buzz. Newsletters also work especially since readers want to have contact with authors they love. Not to forget Tumblr and Google+. In this world of sprouting social media, no stone should be left unturned when it comes to an opportunity for visibility and connect with readers.

Another thing publishers should stay clear of is exclusivity- if you want mass sales, you can’t belong to an elitist club. That only discourages potential readers from buying your book. Publishers have to remember that at the end of the day they are trying to get their books out there to many readers, not a select few.

3. Series Sell (Cash on Loyalty)

It is established wisdom amongst Indies that series sell better than stand-alone books. It is not difficult to see why. In fact series go way back – think Sherlock Holmes and you know that we are in terrain that has a history.

Series cater to the short attention span that this generation is heir to.  There are many readers who wait with baited breath for the next instalment of their favorite character’s journey.

Series are great branding vehicles. Over a period of time, the reader is catapulted into a world that they grow to love. Fan clubs are born and merchandise is built around these characters. It is as commercial as literature can get.

It’s good for the authors when they create a fan base and it’s good for publishing houses too.

4. Use Technology; Don’t Get Stumped by It

Self-publishers are not all techies. But they have figured out ways to use technology to their advantage.

Too many people are trying to do too many things when it comes to technology . There is the risk of burning your fingers badly if you go wrong but turning a blind eye to tech changes is not a good idea either.

New ways of sourcing content, book creation, book consumption, and distribution are some of the changes that self-publishers have capitalized on and traditional publishers have overlooked for longer than they should have.

Why aren’t more publishers selling their e-books directly to the customers? Agreed, they may be unwilling to develop the entire infrastructure from scratch for selling e-books, but experiments could have been done by using service providers like e-junkie.

Why has something like Kindle Worlds not come from the publishers who might be sitting on the rights of many more interesting books and characters?

Online retailing, e-books, enhanced e-books, publishing workflow management software, tablets and e-ink readers, smartphones, e-book libraries are all technological changes that publishers need to keep an eye on.

A lot of promising technology never becomes commercially viable, true of publishing and any other industry as well. Even amongst viable ones what works for adult literary fiction will differ from what works for children’s books or for that matter textbooks. Publishers need to do their homework. Just like they have developed an expertise of what books will work in the market, they also need to have the expertise to understand what technologies to try and adopt.

Finally…

Indies have already taught the traditional publishing industry a few things about the importance of giving the writer more creative control. More focus on delivering the goods faster, marketing, cashing in on loyalty and creation of smarter web-centric systems can revive the publishing industry.

August 20, 2014
by InstaScribe
0 comments

Quotes Wednesday

A stupid man's report of what a clever man says is never accurate.

By InstaScribe

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August 19, 2014
by punjacked
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Readers Can’t Digest – Week 1 (10-Aug to 17-Aug)

1. Google has joined forces with Barnes & Nobles to try and tap into the book delivery business. Same day delivery is the next big thing  and Google wants to compete with the likes of Amazon in this space.
(http://www.nytimes.com/2014/08/07/business/media/google-and-barnes-noble-unite-to-take-on-amazon.html?_r=2)

Super Delivery Boy

 

2. Hundreds of people queued up in front of bookstores to buy Murakami’s latest novel – Colorless Tsukuru Tazaki and His Years of Pilgrimage. This is Murakami’s 13th novel. The Japanese version was released in April 2014. The English version was released today.
(http://www.thebookseller.com/news/hundreds-queue-new-murakami-novel.html)

Murakami

 

3. Author writes about Hunger GamesKatniss Everdeen and how this character was a breath of fresh air for the teenagers who weren’t idolizing Twilight’s Bella Swan. She explains why Katniss is a good role model to have even though it’s hard to like her as a character.
(http://www.theguardian.com/books/booksblog/2014/aug/12/why-hunger-games-killer-katniss-is-a-great-female-role-model)

Katniss

 

4.  Amazon has opened the first ever staffed book store in the college campus of Purdue University. Students can buy/rent new or used print textbooks or e-textbooks. This is the second university with the Amazon store. The first was University of California, Davis, last year. There, it offered the university a 2% cut of sales. (http://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/63658-purdue-opens-amazon-branded-e-store.html)

Amazon

 

5. George RR Martin has revealed that some fan theories are actually right. Some smart fans have figured out the big secrets by rightly interpreting the subtle hints provided in his books.
(http://www.telegraph.co.uk/culture/tvandradio/game-of-thrones/11027870/Game-of-Thrones-the-biggest-secret-revealed.html)

Game of Thrones

August 18, 2014
by Jandré
1 Comment

Making Reading Social in Real World: Little Free Libraries

First it was the mysterious crop circles that popped up everywhere. Then, since the advent of the internet things like mysterious cat icons, banana snakes, pianos and who knows what else have been popping up all over. The latest pop-ups, are, however a thing called Little Free Libraries.

And, although the Internet has played big role in their rise, Little Free Libraries are happening out there in the real world and not online.

Define: Little Free Library

Little Free Library

Little Free Library (Photo credit: Canadian Veggie)

Quoting from the Little Free Library website, “It’s a “take a book, return a book” gathering place where neighbors share their favorite literature and stories. In its most basic form, a Little Free Library is a box full of books where anyone may stop by and pick up a book (or two) and bring back another book to share.”

So, what we have here is a library that is free, little and functions according to the honor system. The books are chosen and supplied by readers. Although there is a steward responsible for each library, there is in fact no continuous oversight. Nobody will check your membership card, stamp you books or demand that you pay an overdue fee.

Readers are free to pick any book from the library and read it. To keep the system going, it is expected that readers exchange the Little Free Library  books they take with books from their own collections- fill up the communal car after using it.

Interestingly enough, it is not expected of a reader to return the exact book he took from a Little Free Library at any point. This means that you can take a book and keep it forever. For the system to work, readers should top up their local Little Free Library.

Where do they come from?

English: I took photo with Canon camera of And...

(Photo credit: Wikipedia)

This whole movement, which is not tax deductible in the USA, can be traced back to a mother. Todd Bol of Hudson wanted to honor his mother. She was a teacher with a passion for reading.

He built the first (modern) Little Free Library in the shape of a one-room school house. He set it with free books in his front yard. The rest, as they say, is history. People liked it. People copied it. It experienced existential validation by being celebrated on the Internet.

Note: This is not the first instance of a library movement. Andrew Carnegie, a philanthropist, supported 2509 similarly free libraries around the turn of the twentieth century.

This project has spread the world over. Currently, Antarctica and Greenland are the only two major land masses without at least one Free Little Library. This is not really surprising if one take into account the general attitude towards compulsory Reading, Writing and Arithmetic classes displayed by Polar bears and Penguins in general. China also does not have a Little Free Library. Does India have one?

Little Free Library in the News

The official view is that you can not steal from a Little Free Library, because the books are free to begin with. The truth is that even these book heavens are targeted from time to time. A Milwaukee Little Free Library member noticed that hundreds of books had disappeared from the Library where his wife was the steward.

This is not surprising. Selling hard covers to secondhand bookstores will be one way to fence the loot for drinking money.

Little Free Libraries make the news for much better reasons.

If you are a Doctor Who fan, you definitely know about the TARDIS or the Time and Relative Dimension in Space time machine. It looks like a 1960’s style London Police Box. (Think of the old red telephone booth, paint it dark blue, take out the telephone, write Police on it, and there you have it.)

A whole number of  TARDIS  Little Free Libraries have appeared in the UK and US. This is, as far as we know, the first Little Free Library subculture. It will be interesting to see whether other literary places start featuring. Perhaps the Ginger bread house of Hansel and Gretel, or what about a Harry Potter sub-theme?

Little Free Libraries are also credited with promoting literacy and community spirit. Albany resident, Marryanne Rings, who also happens to be a retired English teacher, is convinced that people are much happier and have experienced improved quality of life because of their local Litte Free Library.

Conclusion

The more cynical members here at InstaScribe say that the Internet also has a Little Free Library, although it is not little by any stretch of imagination. It is called Pirate Bay. The parallels are in the fact that after the original sale of a book, the authors and the ever generous publishers make no more money! One book or one copy of a book can be read by a whole city!

But I’m reminding you, they are cynical and even consider Twilight to be literature!

Zen Scribe concludes, “What goes around comes around. The more there are readers, the more there are writers. The more there are writers, the more there are people with developing imaginations.”

InstaScribe loves this initiative. We love books, and we love innovative ideas to get more people reading.

How about starting a Little Free Library on your street? Send us pictures! Share your experiences.

August 15, 2014
by Jandré
2 Comments

Good Better Bestseller: What makes for a Bestseller?

Having spoken to a few authors, Zen Scribe knows why many authors want to write a bestseller. Money is one reason.

Ian McKellen as Gandalf in Peter Jackson's liv...

Ian McKellen as Gandalf in Peter Jackson’s live-action version of The Lord of the Rings. (Photo credit: Wikipedia)

Writing a bestseller is an easy way to make lots and lots of money, or at least, that is what authors think. Others believe that it is a way to achieve fame. In today’s society, fame is very important for some reason!

Some think writing a bestseller will bring fulfilment. Sure, they do not mind the money or the fame, but achievement is what they are really aiming for.

Instead of designing a roadmap on how to determine the author’s ulterior motives, InstaScribe would rather share information about what makes a book a bestseller.

(Notice: We take no responsibility for the unintended consequences that writing a bestseller includes like paparazzi, pesky fans, unending book-tours and stalkers.)

Real Characters

Perhaps you are one of the millions who read The Clan of the Cave Bear by Jean M. Auel. This six-part series has sold more than 45 million books.

One InstaScriber said: I struggle to remember the story-line, but I do remember Ayla. I remember her determination. Nothing deterred her from reaching a goal.

What about, Harry Potter?  Yes, yes, I know we all suffer from CHPOS (Critical Harry Potter Overload Syndrome), but the fact is we can identify with him. When Harry Potter is scared about the future, we feel his fear within us.

Zen Scribe said that his mother won’t forgive us if we do not mention Gandalf the Grey. Yes, he of the Lord of the Rings. Funnily enough there are quite a few people known to the InstaScribe team, who like The Lord of The Rings Trilogy primarily because of Gandalf.

Does your book lack characters, good or bad, who resonate with readers? Zen Scribe says: You shall not pass! (O, and if your good guys are perfect and your bad guys are without any redeeming qualities then, YOU SHALL DEFINITELY NOT PASS!)

Real Imaginary World

In the three series we mention above, Earth’s Children, Harry Potter and the Lord of the Rings, the authors created real alternative worlds.

Have you seen the maps of Middle Earth? The attention that J.R.R Tolkien spent to the details are just mind boggling! Named rivers and mountains! Many of these never even “play a real role” in the story but they are there!

You get the same feeling of completeness when you read Terry Pratchett’s Discworld series. Even when the author uses the “real world” as the setting, successful authors make it believable and realistic.

Two examples would be James 007 Bond by Ian Fleming and the Dirk Pitt series by Clive Cussler. The books are full of verifiable geographical data, but the authors do not present it as a geography.

Timelessness

The first Harry Potter was published in 1997. Yet, if you read it today, you do not get the feeling that it is outdated. The book has an internal calendar that is not connected to the passage of time in “the real world.”

Donna Leon writes about police commissioner Guido Brunetti. The commissioner lives and works in the very beautiful Venice. The reader gets a virtual tour of life in this peculiar city. Leon also exposes you to the various culinary delights there.

This series, approaching 25 books, is an absolute delight. The characters are real people, and the descriptions of the city, its canals and the surrounding areas also burst with life. It is clear that the author did not get her knowledge from the flattened out Google Earth version.

When Guido made his appearance in 1992, both the Internet and portable phone were not part of life, and as such, he does not use them. Leon never intended her books to be set in the present day, that is 2014. And as such the commissioner often experiences problems that younger readers, especially, will struggle to understand.

Why does he not Google that? Or, where is his portable phone? These are not issues that distract from the timelessness of books. Once the reader is immersed in the world of the book, the clock that ticks is of that world.

A Bigger Story

Ayla symbolizes humanity’s struggle to survive and overcome the savage elements. In Harry Potter and The Lord of the Rings we have the struggle between good and evil. Even commissioner Guido Brunetti is a personification of good fighting evil in its many guises.

Dostoevsky was a master at weaving in underlying theme. The Brothers Karamazov is built around the themes of God, free will and morality. If these themes were not hidden as it were, it would have gone down as a theological dissertation.

In Anne of Green Gables by Lucy Montgomery, hope is a very strong undercurrent that propels Anne to overcome the obstacles that threaten to block her.

Weaving these undertones into the tapestry of the larger tale is not easy. Overdo it and you might end up with a bad sermon. Underdo it and no one will notice it.

Page 721

Generally speaking, a long book is a testimony to a weak story line, full of unnecessary subplots and deviations.

Zen Scribe: Nearly all the books we have talked about are a bit thick, but the storyline is streamlined!

Respect the planet and respect your readers. Do not add filler material to your book. The Little Prince is hardly a few pages long, but has already old more than one hundred and forty million copies. Thickness and best-seller-ness are not the same!

Conclusion

We sincerely apologize for leading you to believe that we can guarantee your book turning into a bestseller! It is true that great books share many/all the above characteristics. This does not, however, explain the success of Fifty Shades or the Da Vinci code. Neither of these can be called great literature, some say you can’t call it literature at all!

The truth is that it is nearly impossible to understand the market to the degree that you can accurately predict what will and what won’t be a bestseller.

Keep on trying. Never give up!

August 13, 2014
by InstaScribe
1 Comment

Quotes Wednesday

People, in general, only ask for advice not to follow it;

By InstaScribe

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