April 8, 2016
by InstaScribe
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Visual Friday: April’s Fool – Editor’s Bribe

Visual Friday: April's Fool - Editor's Bribe

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April 7, 2016
by Neelima
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Anxiety and Bus Theory @ Link Wanderlust

Jessie Burton writes in her article Success, Creativity and the Anxious space about how 2015 was probably the best year of her life. A million copies of her book The Miniaturist were sold. For any aspiring writer, this sounds like the pinnacle of achievement.

But this was exactly the time when she was diagnosed with anxiety and depression. Burton then chronicles the story of her mind- a mercurial thing like all minds out there. The problem with writing a book and one that flies off of the shelves at that is the anxiety that you may never be able to write another word again. Success is impossible to handle when you are used to failure.

“When something you have made in private is mass-consumed, the irony is that the magnifying glass burns even brighter on you as an individual. Who you are, where you come from, how you make your work. And if you do not have immediate answers to this, because let’s face it, who truly does, then boy, are you in for a bumpy ride. When something like this happens to you, however minor it might be in the great scheme of fame, you never know what’s waiting in your personal wings. You never, ever know how the spotlight on your identity is going to make you feel. You may hypothesize that you’d be really good at dealing with it, but forgive me that I beg to disagree.”

The success of her book led her to dark spells that she coped with and wrote out. Reading her story gives you an insight into the working of a writer’s mind, or even the mind of someone who works entirely on his or her own. Writing a book can turn you into an overnight success; it can wear you down as well. Looks like ups and downs go hand in hand.

 

So how do you reach there at the pinnacle of success?  I found an article about the Helsinki Bus Station Theory in an article by James Clear called Stay on the bus. The idea is that you could be working on the same idea for years but it’s reworking it and sticking with it that brings the real breakthrough. So if you are stuck on a manuscript, it will begin to work only once you start reworking it.

Have you ever been stuck with your writing?

I liked the common sense no-nonsense approach of this article and the possibility of inserting the picture of a bus in this blog post was too tempting to miss.

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April 6, 2016
by InstaScribe
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Quotes Wednesday

Sometimes it's as important to prove there is no answer to a question as it is to answer it.

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April 4, 2016
by Neelima
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Classics, Beauty and Paranoia @ BYOB Party in March 2016 (Part 1)

We held the sixth BYOB at Muffets and Tuffets, a café at Koramangala.

jane eyreSunny started the session with the first book he had ever read. Jane Eyre, a classic by Charlotte Bronte, was gifted to him one Christmas by a friend. He has read it more than once since then and found this book too to be light, not overly philosophical, and extremely readable. Jane Eyre is a crowd puller and has a whole lot of elements including madness, disability and a dash of gothic. In the Victorian era, women novelists were not a particular favorite and their aesthetic sensibilities were often at the receiving end, yet the Bronte sisters ended up churning classics.

This was a book that one of our guests, Piya Bose had read while in school. “It’s an extremely positive and feminist book that illustrates the story of a woman’s quest for independence. It’s set at a time when religion played center stage in the lives of the people.  So besides being a story of an individual, it is a story of the times as well.”

There are some French sentences in the book. Meticulous readers can find translations online and eBook versions usually have translations added to them.

Abhaya mentioned a book by Jean Rhys that was modeled on Jane Eyre. Wide Sargasso Sea is the story of the passionate young woman whom Rochester had locked up. Since Charlotte Bronte never explored this woman entirely, Rhys gave a feminist aspect to the lunatic in the room and exposed gender constraints.

kunderaAnother classic we encountered was Milan Kundera’s The Unbearable Lightness of Being, a book Madhu talked about. We’ve featured one of Kundera’s books called  Ignorance during one of our Talking Terrace Book Club meets. So we looked forward to hearing one of Kundera’s enlightening passages and were glad when Madhu read it out:

“The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in love poetry of every age, the woman longs to be weighed down by the man’s body.The heaviest of burdens is therefore simultaneously an image of life’s most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?”

What would you choose? I would choose Kundera.

Kundera is an extremely sophisticated writer you can keep going back to and gleaning meaning from. In this classic, he charts the life of a young woman in love with a man who is a womanizer as well. It is hard to capture the essence of relationships and this is what Kundera does with breathless accuracy.

PulpStill, on the subject of great writers and their books, Karan had a book by a celebrated author.

“I was going through a low phase in my life when I came across this book,“ Karan said about Pulp, a book by the one and only Charles Bukowski. This literary work of paranoia features an unreliable narrator Nick Belane, a very profane detective in his fifties. He’s a catastrophe formula- low on luck when it comes to his profession and women. If you want to start reading Bukowski, this book is the last place to start as this is his last book. You start Bukowski with his poems and then graduate to this short stories and novels.

More fiction in Part 2.

April 1, 2016
by InstaScribe
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Visual Friday: April’s Fool

Visual Friday: April's Fool

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March 31, 2016
by Neelima
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What Writers can learn from Spies and Artists @ Link Wanderlust

Jennifer duBois’s essay called MFA vs CIA at the Lapham’s Quarterly is as fascinating as it sounds. The author was 23 when she tried her luck with the CIA and the IOWA Writer’s Workshop. She goes back to her impressive CIA course book list to back up her theories.

In The Great Game: The Myths and Reality of Espionage, Frederick P. Hitz notes that one of the requirements of a good intelligence officer is “a profound understanding of human nature”—the ability to get into “the heads and the guts of a recruited spy.”

This is what a writer needs too. Don’t you want to read this essay already? Spies and writers have a lot in common.  Creators need a great deal of insight to make readers feel about non-existent characters in unreal worlds. They also tend to do the disappearing act the way spies do. The author never did become a spy in the end, though she has retained a great deal of fascination for the unreliable narrator…

“The experience haunts my writing, too, in some respects. Some of this is pretty straightforward: espionage has a tendency to weasel itself into my novels and, once it’s there, crash a plane. There are quieter resonances, too. Many of my characters feel a sense of their unlived lives flickering around them; in my first few years of writing almost all of my narrators were men. As both a writer and a reader, I seem to possess a steroidal sense of credulity. “That wouldn’t happen,” I’d hear my workshop colleagues say later on—but the thing about things that wouldn’t happen is that once in a while, they do. And these make for interesting stories, if there is anyone to tell them.”

cia

If writers can learn from spies, they can learn from artists too. This is a more obvious connection. In her article at  the Ploughshares blog called Body Language: What Writers can learn from Artists, Annie Weatherwax says:

“For the writer of fiction, there is no better way to decode the nuances of body language and how to render it, than by looking at how artists handle it. For the visual artist, the study of human form is paramount. Like language is to writers, or the scale to musicians—it’s the foundation from which all other forms come.”

If there is one master of body language, it’s Flannery O’Connor. If you haven’t read her stories yet, start now- http://xroads.virginia.edu/~drbr/goodman.html

 

March 30, 2016
by InstaScribe
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Quotes Wednesday

Morality requires the postulate of religion. God gives us the security that all is well with the world and man is bound to win.

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March 28, 2016
by Neelima
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The Mahabharata, Leela and the Hunchback @ BYOB Party in February 2016 (Part 3)

jaya-mahabharatSince we can’t have a BYOB Party without the Mahabharata, let’s have a look at what Anshuman Mishra, founder of Mercadeo Education Tech, was reading. This book has been featured here before Devadutt Pattanaik’s Jaya: An Illustrated Retelling of the Mahabharata .  Anshuman finds the current mythical spurt either too Amishesque or way too Sankritized.  The book begins in the final throes of the Mahabharata. In the epics, we have two heavens, one is Swarga, the abode of the Gods,  and the other Vaikuntha, the abode of  God. One of the protagonists of the epic, the eldest Pandava, Yudhishtir can not understand why it is that he has not been sent to heaven at all.  Anshuman finds Pattanaik’s exploration of the many existential questions that arise in the Mahabharata very lucid and rational.

Aditya Sengupta, an avid reader of the various interpretations of the Mahabharata, begs to differ. He believes that Pattanaik makes things a little too simplistic and that the Mahabharata is devoid of any such judgement.  When Yudhishtir asks this question, he throws the dice to answer what dharma is. There is no answer. What is justice? No answer, either. There is far too much gray, and no amount of thinking can take a prince out of his hellish destiny if he must endure it.

leelaThat was without a doubt a heavy interpretation. Neha who works in The IT industry prefers to read books that are refreshing and in more of the ‘light reading’ category. She hopes that this BYOB Party inspires her to read more, a habit that is hard to sustain in such busy times. She talked about her experience reading a book called Leela: A Patchwork Life. Leela was once voted as one of the five most beautiful women in the world and has served as a muse to many a famous icon. “What I liked about the book were the little windows we got to witness the actress’s life through. There was a light-hearted segment about her experience at an uptown restaurant where the toothpicks were made of porcupine quills. This is something that is hard to forget!”

the hunchback of notre dame

Sunny, who is a reader of classics, found the first 150 pages of Victor Hugo’s The Hunchback of Notre-Dame tedious. “Once I got past the descriptions of medieval France in the 1400s, it was smooth sailing and to top it off this is a love story with the protagonist, an underdog, the hunchback Quasimodo,  who ends up being the hero of a love story.”

 

 

difficult pleasuresPiya Bose, HR Professional, has been reading every Indian author she can find and she feels that there are not too many good ones. There seem to be quite a few in the market, but not many have caught her fancy. Either the stories do not suit her taste or she finds the editorial errors too glaring to ignore. One writer she particularly has taken a fancy to is Anjum Hasan. Her book Difficult Pleasures is a book of well-written riveting short stories that all deal with the paradox that pleasure is not an easy thing to find.

 

my husband and other animals_Soumya Ravindranath, an independent consultant, came across a light read My Husband and Other Animals by Janaki Lenin. The story is about being married to herpetologist and wildlife conservationist. “The takeaway from the book is how there is so much than conventional urban life. We are missing so much; even the kind of thoughts we have when we are in contact with wildlife don’t occur when we live in an urban space. When I read My Family and Other Animals by Gerald Durrell, I understood that there are better alternatives like homeschooling. This book gives you that same freshness and throws nature’s doors wide open. You must read it.”

 

The music room

Aditya Sengupta read a completely different sort of book that describes Hindustani music. The Music Room by Namita Devidayal is the story of her music teacher Dhondutai, who was the disciple of renown teachers, Alladiya Khan and Kesarbai Kerkar. Devidayal ended up writing but music never left her and she dissects the various aspects of the Jaipur Gharana. For a music lover who wants to read lucid prose about Indian classical music, this is the best book to start.

 

That was a lovely spread of books. What have you been reading?