February 4, 2016
by Neelima
1 Comment

Walking Writers and Bestsellers @ Link Wanderlust

I came across an article on walking and another one on a writer’s process chronicled.

What does walking have to do with writing? Turns out, a lot. Read this article from the BBC mag.

Wordsworth was a writer and we all know about the daffodils he saw on one of his walks. Charles Dickens walked, as did Virginia Woolfe, Henry Thoreau, W.G Sebald and many others.

“There is something about the pace of walking and the pace of thinking that goes together. Walking requires a certain amount of attention but it leaves great parts of the time open to thinking. I do believe once you get the blood flowing through the brain it does start working more creatively,” says Geoff Nicholson, author of The Lost Art of Walking.

And there are many other authors who have explored this idea of walking in an increasingly urbanized world, where walking is more about patience dealing with traffic (more pedestrians die due to accidents than the people driving their cars) or keeping fit. And don’t think that walking with headphones or texting as you walk is the kind of mindful walking that has been prescribed by great thinkers and walkers.

Walking is no pedestrian business.

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Have you ever wondered how an author writes the book? You might have seen the publicity interviews and listened to the tips enumerated by the author half in jest, half in denial(as writers are a little superstitious about giving away their trade secrets or maybe embarrassed by what the process of writing can do to them).

Andy Martin contacted Lee Child to understand more about the writing process and ended up writing a book called Reacher said Nothing.

Writing a bestseller ‘on the verge of a stroke’ is a must read for anyone who wants to take the plunge into writing as an occupation.

‘So far I have no title, no real plot…. I don’t have a clue about what is going to happen,’ Child tells Martin on the first day. This, for most novelists, would be a startling admission, especially in crime fiction where plotting is paramount. Martin perches on a couch as Child sits down, lights a cigarette, and begins to write. By the end of the day, Child has smoked 26 Camels, drunk 19 cups of coffee (‘I’m writing on the verge of a stroke,’ he quips) and written 2,000 words. It’s fascinating to watch the process of writing unfolding in real time —

Don’t you simply want to read the rest?

Imagine that you are being watched as you write and your every decision relating to your work is questioned. Would you be able to write at all? Lee Child did; he wrote his book under intense scrutiny, in seven months. When you are writing your twentieth book, however, the story is a different one altogether.

Have you read any article on the web that has made you wiser about the writing process? If you have, share it with us in the comments section.

 

February 3, 2016
by InstaScribe
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Quotes Wednesday

Innocence always calls mutely for protection when we would be so much wiser to guard ourselves against it: innocence is like a dumb leper who has lost his bell, wandering the world, meaning no harm.

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February 2, 2016
by punjacked
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Readers Can’t Digest – Week 73 (25-Jan to 31-Jan)

1.Publishing industry is overwhelmingly white and female, US study finds

 

 

 

 

 

 

 

 

2. Scientists find evidence of mathematical structures in classic books

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3. $11.5m payout in Fifty Shades lawsuit

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4. Buster Books drops gender labels

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5. Amazon Sales Top $100 Billion

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February 1, 2016
by Neelima
3 Comments

Atheism and Football @ Talking Terrace Book Club in January 2016 (Part 1)

In this blog post, we will look at some of the books that my colleague Anil and I were reading.

living with a wild god_I finished reading a book that is part memoir, part tryst with philosophy by author scientist and journalist, Barbara Ehrenreich. The book is ironically named for a book by an atheist. It’s called Living with a Wild God.

The book was written on the basis of the author’s adolescent year diaries. It’s not the usual kind of adolescent diary that you would imagine. This is where perhaps I forget my adolescent days, when my thoughts were far more immediate and heart searing. Imagine if you went out on a quest for truth at such a young age, what would you come up with?

Ehrenreich forgoes of the godly presence. Her parents were atheists too and she held on to rationality as though it were her Bible. The problem was that the linearity of science suffered a huge blow in the twentieth century. Non-living things were actually filled with throbbing atoms. Science was standing on its head, and what erupted as anger and mistrust in her parents turned her into wreck.

Ehrenreich talks about mystical experiences she had, and her inability to talk about these to anyone. In India, such events happen to people quite often, and we don’t really question it or see it as any kind of delusion, but for Ehrenreich, her experiences amounted to downright sacrilege of her rationalist point of view. I did not know when I started the book that I would read it with such nail-biting curiosity.

 

thesilk roads.jpgTwo other books I was reading at the time were The Silk Roads: A New History of the World by Peter Frankopan and Reading like a Writer by Francine Prose. The Silk Roads is an eye opener and a must read in these times when culture clashes are still all too common, in spite of the so-called globalization that has forced people to accept with open arms, rather than just tolerate them. To read Frankopan’s account, you must know a bit of history, otherwise you could get overwhelmed and stop half way. He goes back to the cradle of civilization and looks at the Crusades from the other side. It’s fascinating how a slight change in perspective can provide a more comprehensive world view.

 
reading like a writerThe other book called Reading like a Writer is a book I’ll be talking more about on the blog. Suffice to say, a writer should read on high alert- every punctuation, choice of word, structure of sentence and length of paragraph plays a role in shaping the text. There is no better writing school than a good book.

Ronaldo.jpgAnil read a book called Ronaldo Obsession with Perfection, a biography of football great Cristiano Ronaldo, by  a Madrid based journalist Luca Caioli.  This choice of book immediately led to a flurry of discussion on Ronaldo’s field antics and how it’s harder to always be second in command. Apparently Ronaldo’s obsession with the ball superceded his love for any toy even from the time he was a boy. This book provides insights into his life and shows Cristiano the man, not just the footballer.

January 29, 2016
by InstaScribe
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Visual Friday: Best Books of our BYOB Parties

Best Books of our BYOB Parties

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January 28, 2016
by Neelima
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Different Strokes and Illustrations @Link Wanderlust

While browsing the worldwide web, I found two features on the design aspects of books. One is a story about the Chinese font, a font that is much more complicated than conventional fonts in the English language.

Nikhil Sonad starts the article The long, incredibly tortuous, and fascinating process of creating a Chinese font with how the oracle bones came into being; this is where Chinese characters came from:

“The soothsayers etched these pressing questions directly onto the shoulder blades of oxen and the under-shells of turtles, which are also known as plastrons. They then poked the inscribed animal parts with hot metal rods until cracks formed. The shapes of the cracks served as omens”

Chinese characters have changed very little over thousands of years. So what about Chinese fonts?

Here’s some gyan about Chinese characters, which gives you perspective and sets perspective for how difficult a font designer’s work would be in:

“The conventional wisdom is that a reader needs to know around 2,000 characters to understand a newspaper, and about a thousand more for the average novel. One of the most comprehensive Chinese dictionaries, the Zhonghua Zihai, contains 85,568 characters.”

It’s been very hard to simplify the Chinese font for the reason of sheer scale. While for English, you need about 240 glyphs, for Chinese you need 13,053. Sonad’s insight into what it takes to get that exact combination of strokes and calligraphy right will make you think very differently about language today. When we read in English language font, we take fonts for granted, but in a language like Chinese font diversity is a hard hit. Designers are excited though, as it presents an opportunity. A formidable one at that.

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Source: Flickr

 

Another article I came across was about book illustration. Chris Russell is an illustrator and he has tried to trace the history of his craft in an essay in Lit Hub called A Brief History of Illustration. The whole concept of manuscripts started out with pictures and text, as in illuminated manuscripts. Illustration was particularly important in the fifteenth century when “the text of the book was carved into the same block as the image.” Even adult fiction in the 18th and 19th centuries were accompanied by illustrations. Dickens’s collaboration with his illustrators is well known.

 

What happened to illustration in the twentieth century? The minor extinction couldn’t be because of a dearth of artists. It was probably an opinion that art in books was low brow.

I don’t see why more authors can’t collaborate with artists of the world. Graphic novelists like Art Spiegelman, Marjane Satrapi, Joe Sacco, have at least changed the fate of the visual-text communion.

Would you want to have your book illustrated? Why not?

 

January 27, 2016
by InstaScribe
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Quotes Wednesday

A needle is such a small brittle thing. It is easily broken. It can hold but one fragile thread. But if the needle is sharp, it can pierce the coarsest cloth. Ply the needle in and out of a canvas and with a great length of thread one can make a sail to move a ship across the ocean.

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January 26, 2016
by punjacked
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Readers Can’t Digest – Week 72 (18-Jan to 24-Jan)

1. YouTuber Oli White to pen YA novels for Hodder

 

 

 

 

 

 

 

 

2. Orion non-fiction set to publish the biography of the late Ian Fraser ‘Lemmy’ Kilmister

 

 

 

 

 

 

 

 

 

 

 

3. Amazon is Shutting Down Shelfari

 

 

 

 

 

 

 

 

4. BBC Books expands Doctor Who publishing

 

 

 

 

 

 

 

 

5. Simon and Schuster to publish a biographical critique of the late David Bowie

 

 

 

 

 

 

 

 

 

 

 

 

January 25, 2016
by Neelima
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Translating yourself & others @ Link Wanderlust

In this feature, I’ll be talking about rising in translation.

I chanced across this wonderful article in the Wall Street Journal, an interview with Jhumpa Lahiri called How Jhumpa Lahiri learned to write again. Lahiri has written yet another book- In Other Words. However, this is not just another book. Lahiri fans know about her Indian emigrant world painted in brilliant short stories and commercially successful novels. But she has departed from the comfort of being a well-known author and tried to find herself using another language as a new crutch. “In learning Italian I learned, again, to write,” she says.

This interview throws a lot of light on how important creativity is, not just for success. Lahiri has achieved everything a writer would probably dream of. What does a writer dream of once she is a Writer without a doubt? She wishes to go back to what started off, of course. To the anonymous writer pitching to magazines, never really knowing where to go. She talks about how the English language was always a burden and Italian freed her up to look at herself without the baggage of her roots. She also went back to writing the diary, writing for herself, and not for how it would feel if copies are printed.

Many struggling writers probably forget how lucky they are that their words are theirs alone and that success around the corner is probably more beautiful than success itself.

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Source: Flickr

In an interview called The Face of Ferrante  with Ann Goldstein, also Jhumpa Lahiri’s translator, Kate Dodson talks about how she identified with Goldstein since she works as a translator too.  Says Dodson:

“Lispector’s The Complete Stories was my first book-length translation. By the end of it, I was a transformed woman. I was also a wreck, going cross-eyed from pages and pages of proofs, anxiously tweaking words, worn out from the emotional weight of Lispector’s characters. I wished I were Ann Goldstein, as I imagined her: unflappable, expertly laying down “elegant, burnished English,” as James Wood described her translations of Ferrante in The New Yorker. Her work possesses an assurance that comes from over twenty years of translating, ten of them spent with Ferrante’s books, as well as a singular training—forty years at The New Yorker, where she is head of the copy department.”

Ann Goldstein changed the status of the translator as sheet anonymous presence to someone who was sought after. Elena Ferrante, the writer she has translated, is nowhere in the picture. Ann Goldstein does not know the reclusive mind who has created the famous Ferrante Trilogy, though she knows the works themselves and how they have a mind, a deep, dense mind of their own. Working on an author’s works for years together can change the very fabric of your being. While Jhumpa Lahiri wrestles with her sense of self in a new language, Ann Goldstein is immersed in the intricacies of a world created by another in a language she has grown to love.

Translation is glorious stuff and with writers who are starting to see beyond their own languages, we only gain from more and more interpretations.

January 22, 2016
by InstaScribe
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Visual Friday: Write and Wrong – Resolution Solution #4

Write and Wrong – Resolution Solution #4

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